Tuesday, 24 January 2017

30 in 30 Day 24

Sun Rise & Frost 8" x 12" oil on canvas board

The sun was an intense red this morning. I painted it as I saw it but then modified it as it looked so wrong. The reflected light in the greenhouse was a lovely bonus.
There were loads of vapour trails from passing aircraft. I reduced the number of those by over half as it would have looked too busy.
I had been hoping for fog again this morning but on reflection, this was better.

Monday, 23 January 2017

30 in 30 Day 23

Frost & Fog 8" x 10" oil on cotton covered board

I loved the colours this morning as the fog rolled in across the field.
I've not tried painting fog before. I have to say it was a bit of a challenge. I hope it is foggy again tomorrow as I would like to try this again, don't think I quite got it.

Sunday, 22 January 2017

30 in 30 Day 22

Mare's Tails, Happisburgh. 8" x 10" oil on linen covered card

This beach on the North Norfolk coast is actually pronounced 'Hazeboro' . yes, I know - go figure.
Anyway, it makes a good subject. The wispy 'mare's tails' were blowing towards me and reflecting in the sand.
I dipped into my cache of paints and pulled out an old favourite Unbleached Titanium. This I used for mixing the sand colours and found it to be a good mixer with Kings Blue Deep for the sky colour. It was also with white for the clouds, especially with Permanent Rose for the cloud shadows.

Saturday, 21 January 2017

30 in 30 Day 21

Sun Setting on Moulton Mill 12" x 10" oil on cotton covered board

Yes, it really was that dramatic!!
We have the tallest windmill in the UK by our house. The chestnut to the left is in our garden. From my kitchen window I can see the mill which acts as my own personal weather vein. At the moment the top of the mill doesn't turn as the tail fin has had to be removed for repairs. We had just had a terrific storm and the sun came out illuminating the mill and emphasising the dark of the passing clouds. I liked the reflection of the mill in the wet ground.

Friday, 20 January 2017

30 in 30 Day 20

Warm Sky, Cley 12" x 12" oil on canvas board

On this particularly cold day the aeroplane vapor trails were very prominent in the sky. In spite of the cold, the sky gave off a warm glow as the sun sank down behind Cley Windmill on the North Norfolk coast. The strength of the light from the sun, threw the mill into a dark silhouette which adds to the drama of the painting.

Thursday, 19 January 2017

30 in 30 Day 19

Late Summer, Pin Mill 12" x 12" oil on canvas board

 


This was painted over an older painting that had been sanded down.
The cloud shapes were painted first using Bluish Grey and Old Holland Blue Grey. The blue of the sky was painted with the Old Holland Blue Grey with a small amount of Brown Grey mixed in with it Titanium White was added towards the horizon.
Take care to leave a space between the blue of the sky and the dark of the clouds as you do not want to pick up any of the dark paint , it would mix in with the blue of the sky and muddy it, you want to keep the blue clean. The gap that was left is now painted using warm light yellow brown grey to tint Titanium white this is applied quite thickly. Using a small number to flat brush now blend the two colours together. Taking the white into the grey and vice versa you will probably need to use your finger for the softer blending
The foreground was painted with bluish grey and the walkway, Yellow Ochre was added to make the darker green.
Blue Gray was used for the highlights, the lightest area being at the back of the barge to give good counterchange.  
The lighter green was Blue Grey and Yellow Ochre
The dark of the barge is Ultramarine and Cadmium Red with the smallest amount of Yellow Ochre to stop it looking purple.
The mast was painted in with the use of a piece of card. Run the card through the dark mix make sure there isn't too much paint or it will smudge and carefully apply the card to the painting and give a small downward movement and then lift off. The same method is used for the rigging; make sure the card is the right length.  It is useful to have several pieces of card of different lengths available to you.
There was on the day a lot of reflection on the mud but I kept the light areas and a few flicks of light to the center of the picture and the foreground remains dark to focus attention around the barge.

Wednesday, 18 January 2017

30 in 30 Day 18

Barge at Pin Mill 12" x 12" oil on canvas board

This painting took about an hour. I wanted to work quickly to avoid the temptation of blending too much. The photo reference showed the strong outlines and structure of the clouds and I wanted to capture this with my brush strokes. I used a flat no.6 brush from the Rosemary & Co Ivory range for most of the painting, this again inhibits the temptation to fiddle. The limited pallet creates a harmony within the picture.