Showing posts with label small painting. Show all posts
Showing posts with label small painting. Show all posts

Monday, 25 September 2017

Day 24 0f 30

Lemon and Lime 8" x 8" oil on canvas covered board

I have fallen behind with my painting a day. I am not going to beat myself up about it because sometimes other things are more important like, having three granddaughters for the day. To be honest I did have time when they left but I was exhausted.
This painting was started yesterday morning but had to be abandoned to take the dog for a long walk as we were visiting friends for the day. I finished it when we came home at 7.30. It has a certain looseness about it which is probably explained by the fact that I was not the driver yesterday!±!!

Wednesday, 6 September 2017

Day 6 of 30 or why you should paint eggs

Eggs 8" x 6"





I put a couple of eggs in yesterday's painting and it made me think what a perfect thing they are to paint.
If you have never painted an egg before then, you should.

Here are some of the pros
1. you won't spend ages drawing it
2. It's a gentle curve so you can practice blending tones
3. You can paint several in a short space of time
4. You will have to look carefully for subtle colour changes and reflected light
5. Because it's not a big subject it's easier to experiment with edges, try blending and smudging 
6. Try using minimal brush strokes 
7. Play with different colours in background 

And then there are the possibilities of the cracked egg - I think I could go on but I won't because it time to paint eggs !

Saturday, 28 January 2017

30 in 30 Day 28

Cloud Study 10" x 12" oil on canvas board

Sometimes its useful and time well spent doing a few cloud studies. This enables you to experiment with colours and techniques without the worry of spoiling a painting.
In this study I used Cobalt Blue, Mussini Bluish Greys 1 & 2, Cadmium Red, Titanium White and Cadmium Yellow.
The Blue area was painted first using Cobalt and a touch of Blue Grey 1. The background cloud was a mixture of Cobalt, Blue Grey 2 and a touch of red. It was lightened at the edges with Blue Grey 1. The lightest area is a mix of white with Yellow and red added to warm it up and finally the darkest cloud was scumbled over with Blue Grey 2 and Cobalt Blue and Cad Red

Friday, 27 January 2017

30 in 30 Day 27

Cloud perspective, Pin Mill 8' x 10' oil on cotton covered card

Phew, got back into the studio today, again, didn't have much time as I had visitors, went into town to choose a carpet and shopping and then a couple of visits to Dad.
This is only a small painting but it was painted with a small brush which is why it probably looks a bit busy. I was fascinated by the way the clouds receded into the picture giving strong lines of perspective.

Wednesday, 25 January 2017

30 in 30 Day 25

Cumulus at Burnham Overy Staithe 14" x 18" oil on canvas board

Well, we've had thick fog all day, plus I have been rather busy with my project. (to be revealed at the end of the month)
So, I have dipped into the archives for this one which will be part of the project.
I love these big fluffy clouds, so sculptural.

Saturday, 21 January 2017

30 in 30 Day 21

Sun Setting on Moulton Mill 12" x 10" oil on cotton covered board

Yes, it really was that dramatic!!
We have the tallest windmill in the UK by our house. The chestnut to the left is in our garden. From my kitchen window I can see the mill which acts as my own personal weather vein. At the moment the top of the mill doesn't turn as the tail fin has had to be removed for repairs. We had just had a terrific storm and the sun came out illuminating the mill and emphasising the dark of the passing clouds. I liked the reflection of the mill in the wet ground.

Friday, 20 January 2017

30 in 30 Day 20

Warm Sky, Cley 12" x 12" oil on canvas board

On this particularly cold day the aeroplane vapor trails were very prominent in the sky. In spite of the cold, the sky gave off a warm glow as the sun sank down behind Cley Windmill on the North Norfolk coast. The strength of the light from the sun, threw the mill into a dark silhouette which adds to the drama of the painting.

Thursday, 19 January 2017

30 in 30 Day 19

Late Summer, Pin Mill 12" x 12" oil on canvas board

 


This was painted over an older painting that had been sanded down.
The cloud shapes were painted first using Bluish Grey and Old Holland Blue Grey. The blue of the sky was painted with the Old Holland Blue Grey with a small amount of Brown Grey mixed in with it Titanium White was added towards the horizon.
Take care to leave a space between the blue of the sky and the dark of the clouds as you do not want to pick up any of the dark paint , it would mix in with the blue of the sky and muddy it, you want to keep the blue clean. The gap that was left is now painted using warm light yellow brown grey to tint Titanium white this is applied quite thickly. Using a small number to flat brush now blend the two colours together. Taking the white into the grey and vice versa you will probably need to use your finger for the softer blending
The foreground was painted with bluish grey and the walkway, Yellow Ochre was added to make the darker green.
Blue Gray was used for the highlights, the lightest area being at the back of the barge to give good counterchange.  
The lighter green was Blue Grey and Yellow Ochre
The dark of the barge is Ultramarine and Cadmium Red with the smallest amount of Yellow Ochre to stop it looking purple.
The mast was painted in with the use of a piece of card. Run the card through the dark mix make sure there isn't too much paint or it will smudge and carefully apply the card to the painting and give a small downward movement and then lift off. The same method is used for the rigging; make sure the card is the right length.  It is useful to have several pieces of card of different lengths available to you.
There was on the day a lot of reflection on the mud but I kept the light areas and a few flicks of light to the center of the picture and the foreground remains dark to focus attention around the barge.

Wednesday, 18 January 2017

30 in 30 Day 18

Barge at Pin Mill 12" x 12" oil on canvas board

This painting took about an hour. I wanted to work quickly to avoid the temptation of blending too much. The photo reference showed the strong outlines and structure of the clouds and I wanted to capture this with my brush strokes. I used a flat no.6 brush from the Rosemary & Co Ivory range for most of the painting, this again inhibits the temptation to fiddle. The limited pallet creates a harmony within the picture.

Tuesday, 17 January 2017

30 in 30 Day 17

Sunset at Moulton 12" x 12" oil on canvas board £190

The sunsets in Lincolnshire have been amazing the last few days. I was lucky to catch this one.
The water standing in the fields perfectly pick up the sky colour helping to tie the painting together.
I don't often put in telegraph poles but felt that in this instance, they were essential to the painting and do help to give a sense of perspective.

Saturday, 5 September 2015

Day 5 0f 30 Odd Mug

Can't even think where I bought this funny looking mug, I've had it for ages. I just love it's quirkiness and colours. I think it's Dutch, definitely hand thrown and painted. If it looks a funny shape - that's because it is - honest!!

Odd Mug 8' x 8" oil on board


Friday, 4 September 2015

Day 4 0f 30 'I've got the Blues'

I love painting my tubes of paint and as I was using these three in the painting, I decided to include them. The only trouble was, putting them back in the right place after I'd squeezed out more paint.

I've got the Blues 8" x 8" oil on board


This is the last of the plums because I have now eaten them (just as I'd got the hang of painting them.)

Thursday, 3 September 2015

Day 3 of 30

Cheating here as I have been out all day with our art society - here's one I did earlier!

Too Good to Resist 8" x 8" oil on board

I got home late with good intentions and set up a still life , started it, but after 30 mins had to pack up to get dinner. Hoping to crack on early tomorrow to finish it - too tired now

Wednesday, 2 September 2015

Day 2 of 30

I set this up yesterday not thinking that I'd have a chance to paint but managed to do it in between separating boisterous puppy and extremely boisterous five year old. Not the most relaxing painting experience!

Plums on Green Dish 8" x 8" oil on board

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         I love this dish and have always meant to paint it, the plums were the perfect partner for it                                                     

Tuesday, 1 September 2015

Day 1 0f 30

Last January I took part in Leslie Saeta's 30 day painting challenge. Well she's at it again so I thought I'd join in as I got so much out of it last time.

To be honest I'm not sure I'll be able to complete the task as this September is a bit manic, I've got a three day workshop, an art trip to Grantham, a weekend workshop, four days of Brush with the Broads, an exhibition at the end of month which means finishing off pics, painting frames, labelling, sending out invitations and framing, a few days child minding and several appointments. oh and did I mention, I've got Tendinitis, I've torn a tendon in the rotor cuff of my right shoulder and lifting my arm is painful!!

That said I got up with the sparrows this morning and painted this

Plum & Satsumas 8" x 8" oil on board

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At least I started the month with a painting even I don't get to paint every day.

Tuesday, 25 August 2015

Life's a Bowl of Cherries

Before I eat the cherries I decided to have another paint of them. This arrangement is a bit more formal. I had to include my tube of 'Rose Dore Madder Lake Antique Extra' Old Holland paint.
I love the names they have.

Life's a Bowl of Cherries 6"x 6" oil on linen panel

click here to buy